Songs in this series. 1. ¿Con qué la lavaré? 2. Vos me matásteis; 3. ¿De dónde venís, amore? 4. De los álamos vengo, madre. Composer; Performances. [translations by John Glenn Paton]. Cuatro Madrigales Amatorios () [ anonymous]. Joaquin Rodrigo. ¿Con qué la lavaré? (–). Vos me matásteis. Cuatro madrigales amatorios (). Compose date: Duration: 8′. Editor: Chester. Orchestration: soprano 2 (1) 1 0 1 1 0 0 Str. Versions: Original for voice.
Shall it be “timidly The text repeats and gradually adds more lines, eventually unfolding a complete image in which the mother is urged to go to see the popular trees in Seville, where the singer’s beautiful girlfriend lives. It is through the tributes of composers like Rodrigo that the amatoros of this extraordinary era lives on through the 21st century.
These underscore the text, madrigals urges a mother to go to a stand of poplar trees. The final exhortation is accompanied by light music box-like tinkling patterns in the high piano registers at a pianissimo dynamic, which leaves an aura of unreality hanging in the air at the conclusion of the amatprios set. Works were no longer solely written for court use; in the 16th century there can be found a wealth of folk music very much oriented towards the Spanish peasant.
Joaquín Rodrigo – Cuatro madrigales amatorios ()
Rodrigo himself was heavily influenced by the Spanish Civil War, a pivotal aspect of which was the struggle of the lower and middle class against the burguesia, or the elite. Beautiful Dorian-mode harmonies begin the work. This is a popular method of bringing a traditional work into the modern age.
It’s understandable that Rodrigo would strive to honor these works. The simple contrapuntal style is a perfect musical match for a text concerning someone enchanted with a young virgin girl on the banks of a river who has remarkable hair in which he feels tied up — “you have killed me,” he says.
Jazz Latin New Age.
This renewed focus on the citizenry, rather than the aristocracy, had a profound influence on the music being composed at the time. Given the romantic, sweeping hyperbole of the music “Long haired maiden, You have made me die” it is clear why the sort of sentiment popularized by the Golden Age captured the imagination of all men and woman, regardless of class.
The Maiden and the Nightingale: Introspection Late Night Partying. Composed inthis collection of four love songs is drawn almost entirely from 16th century vocal music.
This may seem to be at odds with the “popular” focus of art in the Golden Age – however, during this time it was a philosophy embraced as amatprios by the upper class as much as it was by the Spanish citizens. Fuenllana modernized these songs by rewriting them for vihuela, while Rodrigo casts them in a more contemporary light by orchestrating them for an ensemble befitting the 20th century, with a full orchestra sound complete with strings and winds.
All three of these were originally written by Miguel de Fuenllana. There is a steadily increasing Spanish-style melisma and skips of a perfect fourth in those passages that refer to the swaying of the trees in the wind.
With what then shall I bathe? AllMusic Featured Composition Noteworthy. Songs from the Exotic. Fuenllana wrote his three madrigals as part of his “Orphenica Lyra”, which was composed for the court of Prince Phillip II. Songs and Madrigals for Soprano and Orchestra. Homenaje a Joaquin Rodrigo. Indeed, it was during a time of intense pain that he composed part of his most recognized piece, the Concierto De Aranjuez.
This endorsement proved a great boon to the popularity of the villancico, which rose amatorils prominence at this time as a polyphonic form which we hear today in many great madrigals.
This illustrates a divide which recurs throughout Spanish history. Streams Videos All Posts.
Themes of anguish and pain seemed to be characteristic of the Golden Age; in a time when arts and literature were flourishing, it became fashionable to share in madrigapes hardship experienced by the lower class.
These four wonderfully lyrical and peculiar love songs have both a neo-classical flavor in the style of their music and a surrealistic flavor in the handling and content of the texts. It was the elite’s fascination with romantic adversity which served to popularize such a broad musical movement, and gave birth to some of the time’s most exemplary art.
Rainy Day Relaxation Road Trip. The text, which is only four lines long, is repeated in isolated phrases and reharmonized, taking on a surreal character as a result of this obsessiveness.
This led to a fascination with, and romanticization of, “peasant” music in the royal court. Drinking Hanging Out In Love. In “Vos me matasteis” leftthe soloist performs a song of love which comes straight out of Spanish peasant culture, expressing heartbreak which the elite were likely not overly familiar with.
The above performance showcases the tragic nature of the music. Powered by Create your own unique website with customizable templates. The fourth madrigal, De donde venis, amore?
amatotios There is an ecstatic joy and a kind of teasing to the repetition of the text which continually inquires as to the direction a beloved one is going: From where have you come beloved? Sexy Trippy All Moods. Romantic Evening Sex All Themes. It is an ambiguous history which proves the practice of adaptation in music composition. Nothing else in Rodrigo’s catalogue is more heavily influenced by folk music than his “Cuatro Madrigales Amatorios”.