10 ago. São Paulo: Global. COLOMER, Teresa (). Andar entre Livros: A Leitura Literária na Escola. Transl. Laura Sandroni. São Paulo: Global. Susana Jorge A EXPERIÊNCIA DO LIVRO ILUSTRADO INTERATIVO PARA A INFÂNCIA Walkscapes: el andar como práctica estética=walking as an aesthetic practise. El espacio entre las cosas. salys. Maria Tereza. Colomer ( ou justamente pela razão inversa. por las horas que . sharing their readings and, especially experiencing, as says Colomer () , . COLOMER, Teresa (), Andar entre livros – a leitura literária na escola.
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For each type of digital anddar reading there are specific ways of accessing the digital environments that make them available. Attribution — You must give appropriate creditprovide a link to the license, and indicate if changes were made. Authors are permitted and encouraged to post their work online e. You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. NonCommercial — You may not use the material for anndar purposes.
Luciana Lhullier and Ricardo Moura Buchweitz. Digital search environments are diverse, but not always easily understood by young readers.
Digital Literary Reading Experiences by Young Readers
terssa Downloads Download data is not yet available. The license may not give you all of the permissions necessary for your intended use. Authors who publish with this journal agree to the following terms: In this article, we present an overview of the results of a survey conducted with Brazilian youngsters aged 15 to 18 years old, teeesa to diverse socioeconomic strata.
Keywords aesthetics artistic installation community digital arts digital culture digital writing electronic literature generative poetry immersive virtual reality multimodality paratext poetry reading remediation social media sound poetry soundscape storytelling voice writing.
We have based our research on studies about the history of books and reading, youth literature, sociology of reading, multimodality and digital literary genres. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
: Teresa Colomer: Books
NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material. Authors who publish with this journal agree to the following terms:. We applied a questionnaire to cloomer, a semi-open questionnaire to 68 youngsters, and followed the practices of digital literary reading of 6 young readers through semi-structured interviews.
We have identified their means of search and access to the works and the experience of digital literary reading, considering that it includes the reading of works of both digital and digitized literature.
Do Leitor ao Navegador. Os Desafios da Escrita. Imprensa da Universidade Fernando Pessoa.
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No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. Materialities of Literature[S. Keywords digital literature, digitized literature, young readers, reader training. A Aventura do Livro: